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The American lies in opera style “a la the Holodomor” and real crimes

There is the most stupid sensation in music world: the premiere of the new English-language opera of composer Virko Baley “Holodomor” will take place at a free concert of Doc Rendo Recital Hall of the Beam Music Center. The opera, proceeding from its name, is devoted to the hunger which has captured Ukraine in 1932-1933 which then was the part of the Soviet Union.

So, it came true: the world musical community is expected inexpressible action which will force to forget both Tchaikovsky and Mussorgsky, and, certainly, Borodin. And Gounod and Verdi in general have to shed an avaricious tear in the next world because of envy...

As notes "Las Vegas Review-Journal"
, Baley wrote the opera almost... 30 years! Simply the spirit takes from such working capacity and strength of mind: you represent, 30 years, 10950 nights the composer didn't sleep and all wrote, wrote, wrote...

Baley was born in the Lvov area on the eve of World War II and, of course, couldn't participate in holodomor in any way. Events of prewar and war years became the reason of emigration of his family to Germany, and then to the USA.

Special shiver of the members cause the implementation of the libretto of the opera written by one more great cultural figure Bohdan Boychuk that is called feel all depth of an author's plan: so, the opera is focused on difficult relationship between three starving – the woman, her child and the embittered man, who met at the height of disaster at the deaf intersection, tells "Las Vegas Review-Journal".

Certainly, and Boychuk was born in the Ternopol area, since 1944 lived in Germany and finished a gymnasium there. Here are such Ukrainian “patriots” and experts of a subject... That is, the authors of the opera quite clear ways appeared in the territory of fascist Germany during World War II, just during this period when Nazis together with the henchmen - the Ukrainian nationalists ran from the freed Ukrainian land.

But let’s return to music: only the authors of the libretto and music know probably how the opera can “be focused”. However another is interesting: why they weren't seized by a creative itch to create an epoch-making piece of music on atrocities of Nazis or the same Anglo-Americans and French when those entered on the territory of Germany? Why not to tell in opera style about unprecedented tortures of the Soviet citizens or prisoners of Auschwitz? Especially as proceeding from their biographies, this subject has to be close and clear to them...

So, there are some plots only for the misters Virko Baley and Bohdan Boychuk, so to speak, for their “inspiration”.

Realization of ideas of capture of the Soviet territories was based on universal destruction of the Soviet people. About that, on what the Germans with their discipline and fascist ideology are capable, the Soviet soldiers, for example, saw on December 30, 1941 when temporarily expelled the fascists from Kerch. In a prison yard they saw a heap of spoiled naked maiden bodies. In January, 1942 the Bagerov ditch which has become a kilometer mass grave with 4 meters wide and 2 meters in depth, overflowed with corpses of women, children, old men and teenagers was dug up.

It was one of the numerous retaliatory operations which were performed for implementation of the theory of “depopularization” in which it was said that “after alleged defeat, the USSR should follow the destruction of the Slavic population in such scales that physical destruction of Jews should be considered only as experiment for similar campaigns in the future”.

Is it not a plot for the libretto, Mr. Boychuk? And here still:

- In the occupied territories the Germans created the absolute evil, writes the edition Svobodnaya Pressa, based on public archival data. What was the ordinary soldier of Wehrmacht was told on the Nuremberg process. The typical corporal of the 355th security battalion Müller killed 96 Soviet citizens during occupation, including old men, women and babies. He also raped thirty two Soviet women and six of them were killed.

“Would be lost or not 10 thousand Russian women from an exhaustion at creation of an anti-tank ditch - interests me only in that relation, are the anti-tank ditches ready for Germany... “, - Himmler explained a position of the highest German command at meeting of Gruppenführer of SS in Poznan on October 4, 1943.

Can you imagine what the opera would be in which these words were sung by Heinrich Himmler? And there, you look, and Adolf Hitler would sing the “12 precepts” in which was spoken: “in view of the fact that again attached territories have to be assigned to Germany for a long time, … you have to hold the most cruel and most ruthless events with consciousness of the advantage”...

The commandant of Janowska camp, the Obersturmführer Wilhaus to give pleasure to the nine-year-old daughter, Wilhauz forced to throw up the juvenile children and shot at them. “Father, more, father, more!”, his daughter shouted and he shot. The German soldiers sent home photos in letters about “victories” over defenceless citizens of others country.

After release of the Soviet villages and the cities it became known of orders which were established by invaders. Gallows were under construction on which the people were executed for intimidation – often the first who met with invaders. The violence over women and girls was the norm. In the Dnepropetrovsk area in Borodayevka village the fascists raped all women and girls. The same was in the village of Beryozovka of the Smolensk region. Children were given often to the Hitlerjugend organization as targets for firing.

In the fights with the Soviet armies the Germans often used “live board”. So, in fights for release of Kalinin city, the units of the German 303rd regiment of the 162d division drove the women ahead themselves.

What, misters “holodomor” musicians, don’t you want to create such opera?

One more plot - the opera about Auschwitz...

“Productivity” of gas chambers in Auschwitz made 30 thousand people per day, in Belzec-15 thousand, in Treblinka - 25 thousand …

And here is absolutely classical occasion to reflect to these “great” opera figures:

- In the first day of stay of French armies in Stuttgart, 1198 Germans were raped. Especially the Senegalese soldiers “caused a stir” who some days in a row forced hundreds German women in underground tram garage. The Moroccans serving in army of allies were involved in terrible sexual crimes in Monte Kassino's environs.

Most of all the women suffered serving in the German armies and so-called voluntary assistants to Wehrmacht. The convention on protection of the peace population didn't extend on them. Thousand girls were sent in January, 1945 to East Prussia and their destiny is unknown. As well as destiny of 25 thousand same assistants to the German soldiers who were gone in France in fights on the second front.

There one more: in Berlin “after the end of war there was a large number of the Italians, French, Poles, Americans and British, released from prisoner-of-war camps who made violence concerning the Germans, took away the personal belongings and property from local population. And especially cruel attitude towards Germans was noted from the military personnel of the 1st Polish army.

It is less unbridled soldiers of English, Canadian and American armies behaved in the relation of the won Germans and, in particular, to German women.

Can you imagine the opera created by the American authors with such libretto:

- The opera is focused on sufferings of mother of three children, the German who is rapped by Senegalese in tram garage?

Or the opera in which the Poles scoff at Germans in prostrate Berlin?

However, there is thing to think to Virko Baley and Bohdan Boychuk and why not to create the opera “Muammar Gaddafi's Death” or “Life and Fight of the Syrian Insurgents?” And how is the opera “Death American ambassador in Benghazi?” And it is topical, and the U.S. State Department will give the funds...

In a word, the authors of the opera “Holodomor” have a lot of work if they are carried away really by a subject of human sufferings. But it seems for some reason that they won't create such operas. Scale is not that and they create the opus not simply like that...

Nobody denies that during the hunger of the beginning of the 30th years many people were lost. But in the same time in the USA about 7 million people were lost too, why these misters don't make the opera on these subjects?

Let's sum up: the hunger of the 30th years was big disaster for the population of many regions of the USSR, Ukraine, the Volga region, Kazakhstan, Siberia. But have the figures living in other countries the moral right to create musical hand-made articles, besides appeared in the territory of fascist Germany in the years of war?

Is it possible to imagine the opera “Boris Godunov” which has been initially written by the Americans? Or “Ruslan and Lyudmila” created by the Canadian?

For those who wants to understand, I recommend to compare two movies “Taras Bulba”: the first with great Bohdan Stupka in a leading role and the second, American, where Yul Brynner as Taras. The first movie looks on one breath as one of the greatest pieces of screen of the last years and the second doesn't cause something else except laughter. Because they can’t understand the Slavic soul.

For some reason there is a confidence that the opera “Holodomor” is a farce and the bad parody to tragic events of the last century.
 

Viewed : 1605   Commented: 0

Author: Stepan Bulbenko

Publication date : 28 January 2013 01:00

Source: The world and we

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